Blurring Lines: Art vs. Craft in Nigerian Culture

The article discusses the thin line between art and craft, particularly in Nigeria, where traditional objects often face classification challenges. It highlights how aesthetic values should not diminish the significance of craft, as seen in the works from Benin City, which serve royal purposes and carry deep cultural meanings.

The historical context reveals that the division between art and craft is not inherent but rather a construct influenced by Western frameworks. The article references critics like John Ruskin and William Morris, who argued against the separation of design and function, advocating for equal regard for all forms of artistic expression.

It points out that the rigid hierarchies established in the 18th and 19th centuries still persist in academic and museum practices, affecting how Nigerian art is perceived globally. The discussion emphasizes that the aesthetic value of objects should be recognized regardless of their functional purpose, challenging the notion that craft is lesser than fine art.